by cooldrmoney
With Killzone 2, The Dishwasher, Splosion Man, and Shadow Complex being the only 2009 releases I've played thus far, and both Uncharted 2 and Rhythm Heaven joining me for Christmas, it makes the most sense for me to put out a list of 2009 releases I would like to play.
Showing 1-10 of 31 items
Twinstick shooters have had their field day in the wake of Geometry Wars. It's time for a brick buster revival! Maybe it's just a slow burning process and Shatter is way ahead of the curve, or perhaps Shatter is all we need. I've always enjoyed Breakout and Arkanoid style games, and I'm thrilled finally see one get the "Geometry Wars treatment". Apparently to go along with the hectic, post-Millennium enhanced gameplay havoc, including screen igniting power ups, ball trajectory altering sucking and blowing abilities (shut up), and boss battles, is one of the best video game soundtracks of 2009. Shatter may very well be the arcade experience of the year.
The platforming genre is far from dead, as many loved to warn of in recent years. Sure, platformers don't overrun the industry like they did in the 90s, but the genre's standing as we head into 2010 is rather ideal. Old reliables like Nintendo and Sony first/second parties will always be counted on to provide major console titles featuring their beloved mascots, and the rise of digital downloads has generated a wave of forward thinking entries that elaborate upon the genres basics in hundreds of directions. Trine is one of the brightest stars in 2009's line of digital run n' jumpers. This sidescroller handles environmental puzzles and combat scenarios by giving the player a revolving door character with the ability to transform into an acrobatic thief, a stalwart knight, and a wizard with the ability to levitate objects and create handy blocks. Constantly having to change tracks as you slay skeleton demons, magically fidget with physics to balance a scale and open a door, and then grapple hook to that unreachable ledge to make your escape is what makes Trine so appealing.
Despite having a really bad name, PixelJunk Shooter stands out as the most appealing PixelJunk entry of the bunch. Fairly similiar to fellow PSN release Gravity Crash, PixelJunk Shooter totally fits under that shooter-adventure label, only this one is all about crazy fluids that physically act "dynamically", a visual and technical feat that impresses right off the bat. From what I've seen, the puzzle possibilities involving these reactionary fluids and elements in the game are grand. The game itself is also so visually smooth, or dare I say fluid. Oh!
Similar to Mario and Luigi, the latest, and reportedly best, entry in the Ratchet & Clank series mostly serves as a dire reminder of how much I have to catch up on with the PS2's triple threat of platformer trilogies. I've already caught up with the first entry of each series, with the goal being to finish them up by the end of 2010. Then it's all about hitting up the Ratchet & Clank Future trilogy at a patient, calculated rate so I don't burnout on it. That is key! It should be noted that what I have seen from A Crack in time looks like an absolute blast.
Dirt 2 seems to have taken the "bigger, better, more bad[itude]" approach to following up an already good rally racer. The original Dirt forged a path into more Americanized territory for the historically British Colin McRae series, and garnered some minor criticism from traditional fans as a result. Well, two years later, rally racing's X Games presence has only grown, and Colin McRae is dead. The game is now full on American, with the arena hopping RV lifestyle embedded into the actual menus, which may be the most impressive menus in any video game. Splashes of neon throughout the presentation and a decidedly Warped soundtrack are always abound to remind you who the audience is. As for the actual game, it seems to be Dirt with all the necessary improvements, which is obviously great. Dirt did have some floaty handling that many weren't keen on, and that has been a point of focus for this sequel. Dirt also felt a bit plain and lifeless, or traditionally British if we're being PC, which Dirt 2 looks to have blown out the water, with exciting, Motorstorm-esque race venues complete with saturated colors and occasional exterior excitement. Like fireworks!
Rock Band Unplugged seems like a really smart game. The title is clever. Successfully returning to the series spiritual roots while avoiding legal issues with Sony is a stroke of genius. Being able to release it under a highly successful brand name as a result continues the cunning. Avoiding the mistake of porting the series to a handheld by developing a game built around a hamfisted peripheral add-on keeps them safely off the Activision short bus. The fact that they can mostly use songs they've already gained the licenses to from previous Rock Band entries while still creating an entirely separate and correspondingly fun experience for the player is brilliant. At least the demo seemed really fun.
Sometimes rocky reviews only enhance your interest in a video game, if only to see if your own criticisms create an experience that matches what the reviewer felt, or if the strong points are bold enough to keep your opinion afloat in a seas of 7s. While Gravity Crash was no critical slouch, it still stands as the lowest rated game on this list, and one of the most overlooked. That happens when you're a Thanksgiving week digital release. From my time spent with the demo and the quick look that introduced it to my radar, Gravity Crash is a gorgeous throwback experience, with laser sharp faux vector graphics complimenting an appealing space exploration shooter-adventure. That's right, more fake genres I made up on the spot. My sights will remain on Gravity Crash until I finally plunk down the virtual $10.
Well, it's rather obvious who won the great inFamous v. [Prototype] war of open world action-adventure games with crazy superpower leads and grammatically dumb titles. While Prototype garnered mixed reception, Infamous helped the Year of the Playstation charge headfirst into the industry's annual summertime lull. Cole's arsenal of electric superpowers equip him with a surprisingly vast combat edge, and he also apparently controls very well, making large city navigation and mission undertakings full of satisfying promise. Given the backbone of a comic book storyline thriving with moral strife, Infamous sound likes an open world experience that packs some serious punch. Also, it's from the dudes that made Sly Cooper, perhaps my greatest older game experience of 2009.
