This is still, for me, the gold standard for RPGs of this style. I go back and forth on whether it's my favourite in the series (I consider it my fave of the classic style, with XII being my fave of the more contemporary/3D entries), but god it left a mark. I got it the first day it was available at my local indie store, Master Player in White Rock, BC. I was in eighth grade at the time and generally pretty friendless, and this quickly became my world.
To this day, it is my favourite soundtrack in the series, with IV, Tactics, and XII coming close but not taking it (though the VII remake soundtracks are also pretty great—better than the games, actually). What I remember so much, though, are the things that are still so seldom seen in games. It was the first I'd played that actually touched on suicide, genocide, religious zealotry, etc. It dealt better and more openly with grief and loss than anything I'd played at the time. It was the first "open world" I'd experienced, with the second half of the game. And to this day, it is one of the best and most fleshed-out endings I've seen in a game, RPG or not.
I remember so many small moments throughout—the coin toss, meeting Gau's terrible father, Locke and his guilt over Rachel—but, and no disrespect to the opera, which is incredible, it's the mid-point upheaval that still sticks with me. *SPOILERS* To have a game where, at least for a time, the villain wins and manages to destroy the world... I'd not seen that before, not in this medium at least. It felt important, like it was trying to say "hey, this medium can be more, do more, if we're willing to go there ourselves." For my young creative brain, it was eye-opening.
In the pantheon of great RPGs, I probably love Chrono Trigger more (there are a lot of very personal memories wrapped up in that title), but FFVI is a beast that has not really been topped in what it does. An all-timer, no question. If Square could ignore their worst tendencies with respect to minigame overload and forced comic characters that weren't in the original, I'd be curious to see it remade. But really, it's near-perfect as is.
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