@penguindust said:
Princess Mononoke was the best by far.
That would be an interesting question; what's better, the five best movies from Pixar or the five best Miyazaki movies from Studio Ghibli?
It's exactly what it says on the tin. Take your favorite five Pixar films. Now take your favorite five or up to five Studio Ghibli films (Google is your friend if you can't remember what's Ghibli and what's not) and your three favorite Disney flicks. Top thirteen!
(EDIT: Thread suggested to bump the Disney allotment to five, for a round 15. You may do so.)
There are only two rules for this list other than the obvious:
- Nausicaa of the Wind is considered Ghibli for the purposes of the list. It's billed as Ghibli on the boxes.
- Ni No Kuni may be used for a Ghibli slot only if you don't have five Ghibli films.
Original List
13. Grave of the Fireflies (Ghibli): Damn it. Damn it Damn it Damn it. I had to watch this for Japanese class in high school. It's definitely an effective film and you'll cry tears when you see it. It makes that list because it got that visceral reaction. But against such strong competition in my mind it loses out. Especially since....
12. My Neighbor Totoro (Ghibli): I HAD TO WATCH THIS IMMEDIATELY AFTER. No fucking joke, the teacher made us watch this the next day. I know this is how it went down in real life but holy shit that's some emotional whiplash. Totoro sinks this far on the list because it had to make up for the funk Fireflies put me in. But it stays on this list because it succeeded so wildly.
11. Monsters Inc. (Pixar): Picking 5 Ghibli films is easy for me, I've only seen five. But I've seen almost every Pixar movie and that's a harder thing to cull. Monsters Inc is a cool inversion of 'there's monsters in my closet'. Yes there are, no they won't eat you, and they're just as scared of you. It wasn't the first Pixar movie I saw in theaters but it's one that made a more lasting impact than the first (Toy Story 2, which only just misses the list).
10. The Emperor's New Groove (Disney): Fuck all the haters. Fuck all y'all. People say Disney went to shit after Tarzan. I say things didn't get bad until after Lilo & Stitch. Disney was still putting out pretty good traditional films when everyone was obsessing over Shrek and its ilk. This fourth-wall breaking film is easily the best thing David Spade has ever been attached to, and everyone in the cast is on their A-game.
9. Hunchback of Notre Dame (Disney): Fuck all y'all again! This is the closest Disney could've gotten away with for how dark this got - the off-Broadway version might be closer and this film suffers some serious tone issues but it's still good when it's hitting its beats. Some of Disney's finest work, if marred by the restrictions and expectations of the Disney Renaissance.
8. The Incredibles (Pixar) I wanted this higher on the list. But once again strong competition holds it back. One of the most subversive animated films to ever be released, and Brad Bird deserves having a huge career between this and Iron Giant - which would've bumped off Grave of the Fireflies if this wasn't a purely Disney/Pixar/Ghibli affair. It's creative, it's fun, and it's old Pixar finding its rhythm.
7. Nausicaa of the Winds (Ghibli): This can honestly be tied with Incredibles as far as ranking is concerned. The film that started Ghibli's incredible run, and Miyazaki's legend. It may be heresy that I can list six films I think higher of than this. Allow me some of your time.
6. The Wind Rises (Ghibli): HERETIC! This is the only Miyazaki film I got to see in theaters. I admit that this may inflate my opinion of the film, and it's a downer like Graveyard was. Why it isn't tied with Graveyard is that I was much more able to appreciate Wind Rises as a history buff and as a more mature person. If this is the last Miyazaki film I get, it's one hell of a send-off. An artist may only get ten years of creativity but it feels like he had so much more left.
5. Up (Pixar): Goddamn this is hard. If this was a 'strongest opening' list Up wins hands down. Even when it settles into a more traditional plot it maintains the emotional connection it made between you and the main character. But we're in the top five now and while Up deserves to reach the top tier it's all downhill from the start. A strong film that started with a showstopper.
4. Toy Story 3 (Pixar): This rivals Toy Story 2's scene with Jessie with the biggest emotional impact the franchise has had. The whole franchise is a series of films about avoiding irrelevance. 1 had Woody doing anything he could, 2 had Jessie and the Roundup Gang nearly settling for a half-life to do so, but 3 really shows how the whole Toy Story cast has evolved. It's not worth avoiding obsolescence if there's too high a price, and the gang was ready to accept it in one emotional beat after another.
3. Wreck-It Ralph (Disney): Frozen was good. But it's not my top three. Wreck-It Ralph is the best Disney film to come out in decades. It's a subversion on bad guys having to be bad, and it hits the video game nostalgia button with such force, fervor, and conviction that I cannot deny it. It is not a perfect film - the final twist is telegraphed - but it knows that its bread and butter is in it being fun.
2. Princess Mononoke (Ghibli): The best Ghibli film in my eyes. If you have one film to show people to prove that animated films are capable of mature themes - and you don't want to show off Akira - this is your ticket. It is arguably the most complete film Miyazaki has made and it's his strongest.
1. Wall-E (Pixar): I mentioned Up has the strongest opening on the list. Wall-E has the strongest first act. The whole film is a damning indictment of the American consumerist culture, of big box stores and corporate power, of lethargy and ignorance. The kids will love the robots running around, but this is almost as subversive as the Incredibles.
Edited List:
15. Grave of the Fireflies (Ghibli): See above.
14. Aladdin (Disney): This barely makes the top 15, purely on the strength of Robin Williams in his iconic role. It's not the best of the Disney Renaissance but it's one of the most iconic.
13. Atlantis: The Lost Empire (Disney): One of the most developed ensemble casts Disney's ever put together with gorgeous visuals in the days before World War I. Is it a weaker Disney film? Absolutely. But this is my list damn it and Atlantis is a highly underrated film.
Rest of list continues as original.
Log in to comment