Man, if working in bars and restaurants is a weird experience right now I can't even imagine what theater workers are going through. AMC is not taking this shit lightly though. Granted again there were literally no other movies playing in a 14 cinema multiplex and literally no one else had a ticket to see this thing, but they still had the ticket counter and concessions set up with barricades as if it was a Star Wars or Marvel premiere night.
So you wind your way through this long maze while one person stands at the concession counter to check your ticket and they ask you to sanitize your phone, hand it to them, sanitize your hands, they re-sanitize your phone after confirming the ticket, strongly imply they'd like you to re-sanitize your hands after taking back your phone, let you know where the bathrooms are rather than where your theater is located and don't ask if you'd like anything to eat or drink.
Again, as somebody who lives in one of the least affected states this summer and has really only been out to work at my restaurant or be on the patio at the bar across the street but otherwise orders everything delivery, it was wild stepping into a national, corporate building for the first time since the pandemic. It almost scared me away, which I guess is the point, right?
Anyway, Tenet. Is this supposed to be Nolan's new trilogy? This whole thing felt like a prologue, or like it was making fun of the enterprise of blockbuster filmmaking or something. Looked great, John David Washington is officially a star, but I gotta say this movie lacked some kind of...oomph. At the start of every big action scene I was on the edge of my seat, but by their conclusion I honestly felt kind of dull. Going in I was worried that the movie's big gimmick was going to be too tremendous for the movie to be able to take advantage of it as much as I wanted or keep it making sense and I think my hunch was right. Edit: that being said, when the pivot hits at the mid-point mark, this thing fucking does not let up on the NOS injection for a solid 45 minutes and it no longer matters that you don't know any of the characters' names or care about their motivations for being in this plot or what their role is in this story. Nolan gets to do his whiz-bang setpiece thing and nails it.
Thing I Loved: Re-witnessing the freeport heist from the perspective of the future. If you were unaware of or forgot that JDW was a Division I collegiate wide receiver you'll be reminded throughout this as his raw athleticism is just out of control compared to most modern American action stars. It feels desperate.
Thing I Hated: A lot of that desperation felt like it was because Protagonist had a crush on Kat? This character is pretty lacking in emotional weight and I feel like Nolan desperately tried to infuse him with some kind of personal motivation outside of "the job" and it felt like the most hackneyed vision of a romantic subplot he's yet delivered, and this is a guy who has Rachel from Batman on his resumé.
Ultimately, it's hard to say how much the scenario surrounding the movie affected my kind of numb reaction to how these set pieces ultimately resolved themselves (particularly the final heist sequence in the town which just couldn't convince me of its logic), but goddamn did it feel baseline pleasant to walk out of the theater and look around at the world in that dreamlike state where you're suddenly imagining how you'd film the location if it were in the movie you just saw, and to be in a huge room with a massive screen and awesome sound system completely glued to the movie rather than constantly checking OKP, Facebook or Reddit and forgetting what's going on. Watching movies at home kinda sucks, man.
But is it worth going to a theater to see Tenet? Not at all, other than how great it looked and sounded and the specifics of my experience in that I only saw and interacted with a single person during my three hours in that building which is a far cry from my own workplace. For what it's worth, I didn't think the movie had any sound issues at all other than when it was appropriate, and anyway almost all of the dialogue was expositional so it wasn't terribly interesting anyway. Other than the potential for a Tenet 2 and Nolan shoehorning a Black James Bond into our lives who also has the ability to travel through time, kind-of sort-of. If it sounds like I'm not all in on Nolan, JDW and Pattinson getting another shot at this I apologize because if things only get bigger from here (presuming Warners would be able to afford a movie like this on the other side of COVID) I'll keep on turning my brain off and watching Nolan do Nolan without the burden of having to care about its characters at all other than the superficial way we do Bond and his Bond Girls.
I probably won't go back to a theater the rest of the year.
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